• References

  • 2023
    On the Border of Painting : HA CHONG-HYUN, Between Will and Chance Text by Bartomeu Marí. :Kukje Gallery Edition.
    2022
    HA CHONG-HYUN La Biennale di Venezia 2022 Texts by Kim Sunjung,Clara Kim,Yeon Shim Chung.
    2021
    HA CHONG-HYUN-Return to Color Texts by John Yau: What Abstraction Can Face Up To.
    Robert C.Morgan Transforming Conjunctions :The Presence and Absence of Color.
    2017
    'Ha Chong-Hyun', Essay by Alfred Pacquement, Almine Rech Gallery Editions
    2016
    ‘Resonance of Dansaekhwa’. Texts by Yoon Jin Sup, Joan Kee, Alexandra Munroe, So Jinsu, and Yeon Shim Chung. Seoul: Korea Arts Management Service
    2015
    Kee, Joan. ‘From All Sides: Tansaekhwa on Abstraction’. Los Angeles: Blum & Poe
    Kee, Joan. ‘Ha Chong-Hyun’. New York: Blum & Poe
    Lee, Youngwoo, ed. ‘Dansaekhwa’. Texts by Youngwoo Lee, Doryun Chong, Jeremy Lewison, Joan Kee, Mika Yoshitake, Melissa Chiu, Alexandra Munroe, Yoon Jin Sup, Tina Kim. Seoul: Kukje Gallery; New York: Tina Kim Gallery
    Oh, Kwangsu and Song Missok. ‘Korean Abstract Painting: 45th Anniversary of Gallery Hyundai’. Seoul: Gallery Hyundai
    2014
    Kim, Bok-Yung, Yoon Jin-Sub, Toshiaki Minemura, Lee Yil, Yusuke Nakahara, and Philippe Dagan. ‘Ha Chong-Hyun’. Daegu, Korea: Wooson Gallery
    ‘Overcoming the Modern: Dansaekhwa, The Korean Monochrome Movement’. Texts by Sam Bardaouil and Till Fellrath. New York: Alexander Gray Associates
    Yoon Jin Sup, Alexandra Munroe, Sam Bardaouil, and Till Fellrath. ‘The Art of Dansaekhwa’. Seoul: Kukje Gallery
    2013
    Kee, Joan. ‘Contemporary Korean Art: Tansakhwa and the Urgency of Method.’ Minneapolis: University of Minnesota Press
    2012
    ‘Ha Chong-Hyun: Retrospective’. Texts by Philippe Dagen and Mikyung Kim. Gwacheon: National Museum of Contemporary Art
    2010
    Chiu, Melissa and Benjamin Genocchio. ‘Contemporary Asian Art’. London: Thames & Hudson
    2008
    ‘Ha Chong-Hyun’. Texts by Yoon Jin Sup and Philippe Dagen. Seoul: Gana Art Center
    2003
    ‘Ha Chong-Hyun’. Texts by Dominique Stella and Gino Di Maggio. Milan: Fondazione Mudima
    2001
    Ha Chong-Hyun. Texts by Kim Bok-young, Philippe Dagen, Edward Lucie-Smith, Nakahara Yusuke, and Minemura Toshiaki. Seoul: Misoolsarang
    2000
    ‘Ha, Chong-Hyun (1995-1997): Concern and Silence’. Text by Philippe Dagen. Seoul: Gallery Samtuh
    O, Kwang-su and Ichir Hariu. ‘Kwangju Biennale 2000: Man + Space: The Special Exhibition’. Kwangju, Korea: Kwangju Biennale Foundation
    1999
    Dagen, Phillipe and Edward Lucie-Smith. ‘Ha Chong-Hyun’. Paris: Espace Paul Richard
    1994
    ‘Ha Chong-Hyun. Munich: Wassermann Galerie
    ‘Ha Chong-Hyun’. Texts by Nakahara Yusuke, Edward Lucie-Smith, Kyung-Sung Lee, Toshiaki Minemura, and Clive Adams. Tokyo: Kamakura Gallery
    1992
    ‘Ha Chong-Hyun: Late “Conjunction” Series’. Texts by Kim Bok-Young and Clive Adams. Seoul: Nabis Gallery
    1988
    ‘4 Korean Painters: Park Seo-Bo, Yoon Hyong Keun, Ha Chong-Hyun, Chung Chang Sup’. Tokyo: Tokyo Gallery
    1974
    Lee Yil. “Chakp’umjon e chumhayo” [Around the time of Ha Chong-Hyun’s solo exhibition]. ‘Ha Chong-Hyun’. Seoul: Myongdong Gallery
  • Selected
    Press

  • 2017
    Yujin Min, ‘Where I Work - Ha Chong-Hyun’, Art Asia Pacific, March
    2016
    Siobhan Bent & Denise Chu, ‘Peak Monochrome’, Art Asia Pacific, Almanac
    Rachel Corbett, ‘Art From the Ashes: How Korean Minimalism Stormed the West’, Blouin Art Info, December 6th
    Taro Nettleton, ‘Ha Chong-Hyun: Convergence of Mass’, Bijutsu Techo, March
    Natacha Wolinski, ‘Seoul: Le nouveau hub artistiaue de l’Asie’, The Good Life, March 22nd
    2015
    Jennifer Baum Lagdameo, ‘Amid Renewed Interest in Korean Dansaekhwa Art, Ha Chong-Hyun
    Continues to Experiment, November 16th
    Natasha Degen & Kibum Kim, ‘The Koreans at the Top of the Art World’, The New Yorker, September 30th
    Alan Miller, ‘Ha Chong-Hyun’, Kaleidoscope Asia
    2014
    Robert C.Morgan, ‘Monochrome Sets You Free’, Hyperallergic, December 16th